Zaha Hadid’s Travel Worthy Destinations

Maxxi, Rome’s first major contemporary art museum, cost €150 million and took renowned architect Zaha Hadid 10 years to complete. The result—a vast, bold space with exhibits on architecture and art—proves that modern Rome can produce masterpieces, too. This appeared in the May/June 2011 issue.

Clearly not designed by, or for, shrinking violets, Klapsons is as bold in its decor and colors as in its ambition to stand out among the buttoned-down business district hotels. The hotel’s moniker might sound futuristic but is based on names of the owner’s family. Furnishings by Zaha Hadid (the lobby’s Moraine sofa) and Marcel Wanders (polycarbonate stools) keep the interiors lively and au courant. The street-level lobby, visible through a facade of glass, is all bright furniture and curvilinear forms, with pops of white, orange, red, neon blue, and off-kilter lampshades. Reception sits in an elevated, stair-accessed pod of highly polished stainless steel that looks primed for blast-off. A wall of wire mesh in the lobby adds an industrial element to the otherwise retro-future montage. Rooms continue the provocative vein with punches of brightness—on a bed throw, a Plexiglas table, a plush carpet—and kooky showers, some of them glass-enclosed stalls in the middle of the living space, others open-cube-shaped with color-changing LED lights.

Designed by 19 of the world’s top architecture and design firms (three of which have already won the Pritzker Prize), the Hotel Silken Puerta América Madrid may be the world’s ultimate design hotel. A colorful, towering ode to the best of modern design, the hotel is unlike anywhere else, with each distinctive floor imagined by a different creative, including the likes of Zaha Hadid (her vision is an undulating space-age den of all-black or all-white rooms and smooth fiberglass surfaces) and Jean Nouvel (his gradient exterior is just the tip of a vibrant, imaginative iceberg). John Pawson imagined the Zen-like, all-wood lobby, while architect Teresa Sapey created what may be the world’s only whimsical, design-conscious parking garage, a brightly colored and well-lit space inspired by Paul Éluard’s poem Freedom, which adorns the building’s facade.

Despite each floor’s unique and avant-garde aesthetic, the Hoteles Silken group refused to compromise on luxury, guaranteeing top-notch service and every modern amenity one would expect from a five-star hotel. And don’t forget the acclaimed restaurant, two trendy bars (one on the rooftop, with postcard-worthy views), and the indoor rooftop pool.

Looking like the graph of a boom-and-bust financial market, the Riverside Museum’s jagged tooth–like facade, designed by the late Iraqi-British “starchitect” Zaha Hadid, is an iconic bit of development on the banks of the River Clyde. Inside, you’ll find Glasgow’s extensive collection of all things related to transportation, from skateboards and locomotives to prams, cars, and an Imperial Stormtrooper. Wander through the interactive displays to visit city shops, bars, and subway stops, then climb aboard a train, tram, or bus and get a feel for old public transportation. Visitors can also discover Glasgow’s rich shipbuilding history, explore the car and motorbike walls, and help put out a blaze with an interactive fire engine. Before leaving, head outdoors to the quayside to see the Tall Ship Glenlee—one of only five Clyde-built sailing ships that’s still afloat.